Leeds General Infirmary

Two Types of Rose Window by Sasha Ward

Early morning drawing of the Basilica in Assisi                   Cathedral of San Rufino, Assisi

The rose windows in the buildings of Assisi are particularly beautiful. Painton Cowen, writing in 'Rose Windows' calls them "Wheels within wheels...The wheel finds its greatest expression at Assisi". The one that I drew on the facade of the Upper Basilica of San Francesco (above left, dated c.1250) "faces the rising sun - exactly the opposite of most other wheel or rose windows." Another beautiful, west facing and earlier example is on the facade of the Cathedral of San Rufino, with carved figures holding it up.

It's the geometry in these windows that is much more interesting than the little bits of stained glass they contain. And so fabulous to see them made into a curtain pattern, complete with troupe l'oeil beam and hangings, in a fifteenth century fresco in the church of San Francesco in nearby Montefalco - the design comes with a yellow background on one wall and blue on the other.

C15th frescoes, Chapel of the Annunciation, San Francesco, Montefalco, Umbria

My design and photo of sandblasted wall with mosaic band, Leeds General Infirmary 1997

The type of rose window that I've used a lot in my own design work is made from intersecting circles. An example shown above is from Leeds General Infirmary: I did this commission in 1997 and I think it must still be there as it was sandblasted into the wall of the entrance rotunda. I loved this technique which I never had the chance to use again, I also love the intersecting circle patterns but will definitely be making them more complicated and wheel like in future designs.

The simple circle pattern cropped up in a local doorway and in the balcony outside Santa Chiara, Assisi (both below) where there is another intricate "wheel within wheel" window and a wonderful view of the setting sun.

Click on the images to enlarge them

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Rotating Repeats by Sasha Ward

Patterns with curling lines pointing inwards                                                 "Norfolk" plate

Inspired by looking at dishes, and thinking of painting some myself, I have been drawing patterns that repeat as they rotate. The curling lines I drew started growing into trees. They point towards the middle of the circle as I would draw them if designing a roof light or domed ceiling. However, when I wanted to add a landscape element to the design (as I often do) and looked at the decoration around the edge of the "Norfolk" plate I bought this week, I saw that the right way for the landscape to point around a plate is outwards. (I'm not mad on the flat vignette in the centre).

I've made a number of circular overhead & underfoot commissions. The one I have been reminded of while rotating the repeats this week is from 1997 for Leeds General Infirmary. The abstracted landscape, or cityscape, points inwards on the glass ceiling light and outwards on the lino floor design beneath. The intention was to make the viewer feel as if they were in the centre of things, with the patterns spreading out into space.

Lift lobby, Leeds General Infirmary & preliminary sketches for the glass ceiling light and cut lino floor design, 1997.

The left hand dish sketch below adds a contrasting landscape to my original curling trees. It was then that I realised I needed to turn them around to point outwards resulting in dish sketch number two.   

Dish sketches number one and two, 2016.  Click on images to enlarge.