The churches conservation trust

Snapshots from a walk around Shrewton by Sasha Ward

We took a walk around the village of Shrewton as suggested by the Churches Conservation Trust because there are three churches under their care within a 5km stroll, plus two other churches on the same route and two chapel buildings. It’s hard to imagine seven active congregations in this small area. The villages feel isolated because of their position on Salisbury Plain which is no longer a rich, farming area but one dominated now by the presence of the army. Following a footpath along the River Till and with other parts of the route skirting flooded fields, it was interesting to see two sets of flood cottages with signs from 1842 (below left) reminding us of the date … for ever being the anniversary of that awful visitation - The Great Flood of 1841 …. when 3 people died and 72 houses were destroyed by a surge in the river - also hard to imagine.

St Andrew’s, Rollestone

We started at St Andrew’s in the parish of Rollestone, a tiny church on the edge of a field, everything tidy and well coordinated inside (above). The larger St Mary’s church in the centre of Shrewton has become the main place of worship for the surrounding parishes, inside is some interesting glass including a really effective, beautifully blue, ascension east window (below centre and right) and a screen in front of the tower patched with a catalogue of pressed, textured glasses (below left).

St Mary’s, Shrewton

St Mary’s, Orcheston

Inside St Mary’s in the neighbouring village of Orcheston I took a snapshot that combines the two categories of churchesinchurches and kitchensinchurches in an understated way (above left). You can tell this is an active, rather than CCT, church also by the window displays, intended to be engaging rather than tasteful. The memorial window is in the porch, not to a cat but to the lucky octogenarian Sophie Hamilton-Moore.

St George’s, Orcheston

In case you’re wondering what the outside of the churches really look like, this is St. George’s (above left) also in Orcheston, a village with a feeling of being tucked away both in space and time. Inside the small church everything is calm, while outside horses feed in the flooded fields and even the motorbikes are quiet (below left). The last church on our walk was in another of Shrewton’s old parishes, Maddington, with an equally beautiful and subtly decorated interior. In every church you can find a satisfying bit of stained glass detail, this one comes from the bottom of the east window (by Lavers, Barraud & Westlake 1872).

St Mary’s, Maddington

Church Camping by Sasha Ward

Inside St Cuthbert’s church, Holmes Lacy, Herefordshire.

Church camping, otherwise known as champing, is an initiative by The Churches Conservation Trust where you can book to stay in one of the churches that they care for. We chose to champ in St. Cuthbert’s, Holme Lacy, in a bend on the river Wye near Hereford, a large church with magnificent marble monuments and a notable window by Henry Payne. You can see our sitting room above, half way along the south aisle, and our bedroom in the north aisle in front of a wooden screen and with a great view of the monuments and the aforementioned notable window.

Left: Monument to James Scudamore who died in 1668. Right: Tomb of Sibell and John Scudamore who died in 1571 with Henry Payne window in the background.

You’re not supposed to drag the camp beds around the church, otherwise I would have been tempted to sleep in the chancel with the Scudamores (above). It was fascinating to see these monuments and windows over a whole night and day as the light moved around the space which was light enough in the daytime (with no artificial lighting) and perfectly dark at night. We went to sleep and woke up discussing the mysterious Payne window (below), which shows the Archangel Michael with the scales of judgement, weighing souls.

East window by Henry Payne c.1920 and detail of right hand panel.

Detail of the Henry Payne window showing the weighing of souls.

There are some gorgeous details, particularly the tiny figures in the scales and in the angel’s drapery (above), but the design of the window is confusing. The angels seem to be jostling unnecessarily for space, with great big overlapping wings and behind, rising feet and heads popping up in unexpected places. The main problem is how dark the window appeared, there is a whole bank of trees in the churchyard outside blocking the early morning light.

In the north wall between our bedroom and the chancel is a great example of a medieval fragment window (below). Here you can also find gorgeous details, with heads and hands appearing unexpectedly. As we sat on our chairs in the evening with the light fading all around us, this one still glowed - its patchwork of colours and painted details perfectly illuminated as the stained glass windows along the east and south walls lost their colour to the darkness.

North chancel window made of fragments of medieval glass and detail.